All posts filed under ‘Germany

Hyperreality

Happy to bring you a new episode of my podcast Available Light, challenging the notion that a camera doesn’t lie. You can listen below – or click “Read more” to continue to the transcript.

“Arriving at the poetic image is mental art, not a mechanical one.” – Teju Cole

El Umbral

During my recent trip to New York, I stumbled upon an anothology of Manuel Alvarez Bravo’s work, succinctly called “Photopoetry”. This image of his encapsulates both that title and my fascination. 

Black and White Portraits

Photos taken on my grandpa’s Leica M6 with Kodak Tri-X film. “They’re sharp and soft at the same time”, as one of my friends pointed out. I think I am starting to understand why Leica is so revered.

“I don’t take pictures, pictures take me. … I can do nothing except have Film in the camera and be alert.” – Charles Harbutt

Aura

In “The Work of Art in the Age of Mechanical Reproduction”, Walter Benjamin describes an interesting way of judging “realness”: The authenticity of a thing is the essence of all that is transmissible from its beginning, ranging from its substantive duration to its testimony to the history which it has experienced. Since the historical testimony […]

Anterior Future

Pure your gentle name, pure your fragile life, bees, shadows, fire, snow, silence and foam, combined with steel and wire and pollen to make up your firm and delicate being. – Pablo Neruda’s epitaph for Tina Modotti I dusted off my podcast and finally recorded the fourth episode of Available Light. This time, I am […]