Archives


Tags

Photography, Covid, Travel, Berlin, Quote, History, Available Light, Generative AI, Russia, Algorithm, Camera, Mexico, Time, Memory, Culture Wars, The European, Modernism, Film, Sweden, Rebecca Solnit, Kyle Chayka, Authenticity, Tina Modotti, Analog, Blogging, The Memory Palace, War, Poetry, Roberto Bolaño, Spanish Civil War, Nostalgia, Abandoned, Architecture, Post-Truth, Creativity, Craig Mod, Art, Hyperrealism, Populism, One Camera One Lens One Film, Susan Sontag, Spotify, Podcast, Clarice Lispector, Ukraine, Music, Instagram, Teju Cole, AI, Pollution, Yanis Varoufakis, Jorge Luis Borges, Valencia, Writing, Soviet Union, TikTok, Externalities, Luigi Ghirri, Technology, Sergio Larraín, Cyrillic, Edward Weston, Henri-Cartier-Bresson, Midjourney, Mexico City, Daguerrotype, Computational Photography, Steven Shore, Advertisement, Jenny Odell, Svetlana Boym, W.G. Sebald, Walter Benjamin, Stockholm, Bikepacking, John Berger, Fascism, Albania, Climate Change, George Orwell, Bauhaus, Smartphones, Pandemic, Finland, Lithuania, Donald Trump, Ernest Hemingway, Poland, Marshall McLuhan, Buckminster Fuller, Stalin, James Gleick, Kazimir Malevich, Düsseldorf, Essay, Roland Barthes, Matthew Zapruder, England, Banana, Manuel Alvarez Bravo, Cal Flyn, Jamie Rann, Walker Evans, Constantine Manos, Dorothea Lange, Jay Owens, Bulgaria, August Sander, Geoff Dyer, William Eggleston, Italo Calvino, Antarctica, Evgeny Morozov, Social Media, Elon Musk, Uniqueness, ChatGPT, Romania, Twitter, Ryan Broderick, Haley Nahman, Moscow, Robert Bolaño, USA, Cryptocurrency, False Memory, Pablo Neruda, Bucharest, Vaccine, Madrid, Zofia Rydet, Neologism, Vitas Luckus, Public Space, Spain, Chronocentrism, Greece, Terry Nguyen, Boris Eldagsen, Siberia, Winter, Nicola Twilley, Digital, Smartphone, Apple, Naomi Klein, Brazil, Swimming, Socialism, London, Design, Aldous Harding, Dvorak, Georgia, Chuck Klostermann, Blockchain, Svetlana Alexievich, Mongolia, Tempelhof, Convenience, Andy Warhol, Dennis Stock, Kodak, Attention, Daily Life, Sculpture, Screens, Jib Fowler, Tracking, Olga Tokarczuk, Analogue, Joris Luyendijk, Michelangelo Antonioni, Path Dependency, Walking, Jamie Lynne Burgess, Collective Action, French Revolution, Samin Nosrat, Scott Berkun, Kevin Kelly, Paris, Jörg M. Colberg, Geneva, Marie Le Conte, Revolution, Sergio Purtell, Henry Fox Talbot, Elisa Gabbert, Cory Doctorow, Cold War, Amy Sodaro, São Paulo, Richard Sennett, Robert Binghurst, Day of the Dead, Leonard Cohen, Cyanotype, Svalbard, Gary Winogrand, Leica, Germany, Ralph Croizier, Serendipity Engine, Paul von Hindenburg, Eastern Germany, David McCullough, John Banville, César Aira, Black and White, David Goldblatt, Autochrome, Jessica Valenti, Xavier Mertz, Kirsty Bell, Michael Salzman, Free Speech, Roman Mars, Pablo Picasso, Aesthetics, Uzbekistan, Telegraph, Andrew Rowat, Sean Monahan, T.S. Eliot, Vlad Savov, Brasilia, Alex Webb, Eli Pariser, Eisenhüttenstadt, Geoff Manaugh, Göteborg, Anita Brenner, France, Propaganda, Eastern Europe, Krakow, Chile, Federico Viticci, Oliver Burkeman, Matte Blanco, Past, Khoi Vinh, Scotland, Agnes Sire, John Perry Barlow, Police, Maria Stepanova, Alec Soth, Natalie Pennington, NFT, Olivia Laing, Radio, Croatia, Flight, Michael Heizer, John Roderick, Marcel Duchamp, Zak Dimitrov, Salvador Allende, Timothy Snyder, Guy Debord, Meta, Media, Dan Taberski, Stephan Diehl, Latvia, Film Photography, Robin Rendle, Peter Steinbar, Speculative History, Japan, Helsinki, Lazlo Moholy-Nagy\, Porfirio Rubirosa, Psychology, Progress, William Faulkner, Mick Gordon, Tragedy of the Commons, Nate di Meo, Matt Webb, Diego Rivera, Buchholz, AirBnB, Georgy Kurasov, Robert Adams, Esperanto, Jaques Rancière, Mario de Andrade, Louis van Gaal, Curation, Steve Bannon, Yi-Ling Liu, Ira Glass, Jan Böhmermann, Stories, Om Malik, Literature, Gerda Taro, Usbekistan, Speedy Schlichter, Rem Kolhaas, Gianfranco Chicco, Sara Hendren, Dessau, Don Norman, Saul Leiter, D.H. Lawrence, St. Petersburg, Nilay Patel, Monique Judge, Subway, Mauerweg, Bruno Taut, Gentrification, Podcasting, Privacy, Giles Tremlett, Porto, Iceland, Brutalism, Rachel de Valle, Colin Meloy, Charlotte Shane, Sean Flynn, Work, Yugoslavia, José Antonio Primo de Rivera, Neom, Sandra Cuevas, Shuya Gong, Amanda Mull, Polaroid, Fritz Lang, Illusionary Realism, Portugal, Snap, Kashmir Hill, Gavrilo Princip, Oscar Niemeyer, Iggy Pop, Cyprien Gaillard, Kim Il-Sung, Memes, Casey Newton, Romualdas Rakauskas, Marc Hogan, Bernd & Hilla Becher, Society, Alexis Petridis, Katy Kelleher, Nick Drake, Diagonalism, Takehiko Nagakura, Machine Learning, Marie Kondo, Alejandro Jodorowsky, Edges, Food, Minimalism, Brian Resnick, Danah Boyd, Britz, Adam Mosseri, Petrichor, Marco Arment, Lúcio Costa, Alexander Ignatov, John Parish, Vladimir Tatlin, New York Times, Slovenia, Brian Dillon, Yasha Mounk, Allison P. Davis, Ethan Zuckermann, Maria Popova, Carl Sandburg, Sleep, Andrei Tarkovsky, Nick Heer, Brasov, Helene Fitzgerald, Pia Riverola, Sean Illing, Fran Lebowitz, Patricia de Vries, Louis Daguerre, Jean Hannah Edelstein, Kazu Makino, Robert Walser, Rudolf Schlichter, Elizabeth Lopatto, Anna Atkins, Daisy Alioto, Edward Said, James Bridle, Creative Commons, Website, Natasha Frost, Beach House, New Orleans, Tatjana Luckiene-Aldag, Enrique Vila-Matas, Stephen Shore, Pornography, Vladimir Putin, Facebook, Racism, Javier Milei, United States, Jón Gnarr, Protest, Anders Petersen, iPhone, Trust, Maggie Appleton, Riga, Reading, Ilia Mazo, Singularity, Brandenburg, Robert Capa, Jacques-Henri Lartigue, City, Fred Herzog, Ruin, Communism, Leon Trotzki, Tools, Volodymir Zelensky, Michelle Nijhuis, Rob Horning, Snapchat, China, Masha Gessen, Review, Weimar Republic, J. M. Dukert, Vibes, Sudowrite, Virginia Woolf, Nick Cave, Nathan Heller, Helen Levitt, Ted Chiang, Color, Timnit Gebru, Data, Michael Brown, Jon Mooallem, Sergey Eisenstein, QR codes, New York City, Douglas Adams, W. David Marx, Jeremy Larson, Nils Frahm, Friendship, Blog, Flickr, William Gibson, Kait Sanchez, Northern Lights, Virgina Heffernan, Annie Clark, Switzerland, Escatology, Olympic Games, Antanas Sutkus, Natalia Brizuela, Hercule Florence, Blonde Redhead, Lea Ypi, Arthur Bondar, Ludwig Windstosser, Kraków, Olli Schulz, Timothy Morton, Amor Fati, Kyota Sugimoto, Maria Passer, Manuel Álvarez Bravo, Helen Meriel Thomas, Revisionism, Situationist International, Alexis Madrigal, Value, Valery Faminsky, George Seferis, Paul Strand, Bennet Miller, Monument, Dan Hancox, Marcel Gautherot, Siegfried Kracauer, John Bowe, Mad Men, Dystopia, Stress, Benjamin Walker, Office, Surveillance

Newest

Why 1984 Won’t Be Like 1984  January 19, 2024 Day 1337: Hyperobject  November 20, 2023 Day 1307: The Shock of Entanglement  October 21, 2023 The Other Side of Make-Believe  October 10, 2023 The Neoliberal Museum  September 26, 2023 Abuses of Memory  September 22, 2023 Constellations: September  September 20, 2023 Salvador Allende and the Value of Memory  September 11, 2023 Worse and Therefore Better  September 7, 2023 The Singularity, but Not Like We Thought  September 5, 2023 Constellations: August  August 30, 2023 A Rumination  August 30, 2023 Now Bright, Now Dim  July 27, 2023 The Flipside of Fake  July 10, 2023 Flood the Zone with Shit  July 10, 2023 Towards a Classification of Midjourney’s Uncanny Valley  July 4, 2023 Banal Creations  April 13, 2023 AI Inflection Points  April 13, 2023 False Memory  March 27, 2023 The Silver Halides in Everything  March 18, 2023 The Existential Loneliness of Prompt Engineering  March 18, 2023 Algorithmic Intuition  February 12, 2023 Algorithmic Decay  February 12, 2023 Meaningless at Great Scale  February 1, 2023 All the Faces  January 16, 2023 Network Excess  January 2, 2023 Own It, Have it Reflect You  December 31, 2022 Nothing Time  December 30, 2022 The Gargoyles of Reims  December 10, 2022 Returns  December 10, 2022 Soviet Shadows  November 27, 2022 Stockholm Syndrome  November 23, 2022 Color  November 23, 2022 Completism  November 14, 2022 The AI Will Take It From Here  October 7, 2022 Doing Something by Doing Nothing  October 5, 2022 Objective Correlative  October 3, 2022 AirSpace  October 3, 2022 Brainfeel  September 18, 2022 Document v. Monument  September 11, 2022 Photographic Memories  August 11, 2022 Canonial  August 2, 2022 “No Cancel Culture”  July 29, 2022 Algorithmic Popularity  July 28, 2022 Algorithmic Breakdown  July 28, 2022 Nosedive  July 27, 2022 Day 856: First Round  July 26, 2022 Visual Heritage  July 25, 2022 Rivers of Entertainment  July 13, 2022 Willful Forgetting  June 19, 2022 Involuted  June 15, 2022 Belle Alliance  June 15, 2022 100 Days  June 3, 2022 Twitter and the Digital Town Square  April 27, 2022 Tatlin’s Tower  April 20, 2022 Zelensky’s Beard  April 9, 2022 Day 682: Surrender  April 5, 2022 The Additive Cognitive Bias  April 5, 2022 The Camera as a Tool  April 4, 2022 Making Sense  March 30, 2022 Off-Modern  March 29, 2022 Vibe Shift  March 28, 2022 Over-Real  March 22, 2022 Elastic Mood  March 22, 2022 Context Collapse  March 22, 2022 Stupefyingly Normal  February 26, 2022 Doing Nothing  February 22, 2022 Political Capital  February 1, 2022 The Fallacy of Composition  February 1, 2022 Day 680: Over  January 26, 2022 Fragments of Endless Possibilities  January 22, 2022 Style Testing  December 9, 2021 Daylight Exile  December 9, 2021 Day 609: The Territory of Ideas  November 22, 2021 Elusive Antarctica  October 26, 2021 Day 561: Skippale  October 5, 2021 Visual Pollution  September 20, 2021 The Unnerving Ephemerality of Constantine Manos  September 20, 2021 Composition & Gravitation  September 20, 2021 A Walk  September 14, 2021 Tactile map of the Greenland coast line, to be held inside of a mitten, 1884.  August 17, 2021 Fred Herzog in Mexico  July 20, 2021 Immortality  July 19, 2021 Swim  June 30, 2021 “Brasília is a future that happened in the past.”  June 6, 2021 Day 438: Quantitative Easing  June 4, 2021 Day 417: The Shot  May 18, 2021 Day 386: The Roaring Twenties  April 13, 2021 Day 385: Rhymes  April 12, 2021 Day 379: This Suspended Life  April 6, 2021 Friction  March 6, 2021 The Work of Art in the Age of Feigned Rarity  March 5, 2021 The Poetry of Abandonment  March 5, 2021 Proudly Fake  March 5, 2021 Ghosts  March 5, 2021 Day 322: Nothing in Particular  February 8, 2021 The Staggering Ecological Cost of Cryptocurrency  February 7, 2021 Dimitroffstraße  February 7, 2021 One Camera, One Lens, One Film: Helsinki  January 31, 2021 Summer in Black and White  January 23, 2021 The Future of Nostalgia  January 18, 2021 Frozen Film  January 17, 2021 Creative Affordances  January 17, 2021 Spectacles  January 15, 2021 Day 293: The Preparedness Paradox  January 11, 2021 Chronocentrism  January 9, 2021 Mai 1945  January 5, 2021 Day 279: Positive Tension  December 28, 2020 Why Stop Time?  December 25, 2020 Decimal Time and the Fabric of Everyday Life  December 25, 2020 Speedy  December 20, 2020 Layering  December 19, 2020 Back in the USSR  December 12, 2020 1920s Berlin at Night  December 12, 2020 The Contours of the Ordinary  December 10, 2020 Day 261: Quarantine Ennui  December 10, 2020 Taking Slides  November 30, 2020 Simultaneity  November 30, 2020 Neither Neat Nor Clean  November 27, 2020 Until Proven Safe  November 24, 2020 How Design Makes the World  November 11, 2020 Mauerweging  November 8, 2020 Subjective Photography  October 20, 2020 Long Live the King!  September 2, 2020 The Hovering Train  August 20, 2020 Deletion of Space  July 25, 2020 Day 119: Cancel Culture  July 20, 2020 The Only Way to Stop Smoking  July 9, 2020 Day 87: Incredulous  June 18, 2020 Day 38: Revelation  April 27, 2020 Negation of Chronology  April 25, 2020 Day 32: Crisis Opportunism  April 21, 2020 Day 31: Plexiglas  April 20, 2020 Day 30: The Bull  April 19, 2020 Day 29: Whiteouts and Blackouts  April 18, 2020 Day 28: Melting Glaciers  April 17, 2020 Day 23: Outside is Free  April 12, 2020 Day 20: Salt  April 11, 2020 Day 19: Excuses, excuses, excuses.  April 10, 2020 Day 16: Overcoming the Stigma  April 7, 2020 Day 13: What Remains  April 4, 2020 Day Eight: Innocent Patterns  March 30, 2020 Day Seven: Escatological Anxiety  March 29, 2020 Day Six: Involuntary Discomfort  March 28, 2020 Day Four: Exponential Growth  March 26, 2020 Day Two: Complete the Arms Challenge  March 24, 2020 Day One: The Current Situation  March 23, 2020 Idols Behind Altars  February 22, 2020 Ocean Chart  January 13, 2020 Tornado over Oklahoma  January 7, 2020 Less Silver  January 3, 2020 It’s Getting Real  December 4, 2019 How to Die Poetically  December 3, 2019 The Lineaments of Truth  November 18, 2019 Lithuanian Melancholy  October 21, 2019 Kanji Typewriter  September 13, 2019 Wide-Eyed  September 12, 2019 Tacheles  September 11, 2019 Rabbit Holes  September 6, 2019 Serendipitous Encounters  August 3, 2019 It’s Bananas  June 14, 2019 No Need to Dream  June 13, 2019 The World that Could Have Been  June 13, 2019 Mythistorema  June 11, 2019 Insomnia  June 10, 2019 Hairpin Turns  June 6, 2019 Chronological Displacement  June 5, 2019 One Camera, One Lens, One Film: Porto  February 4, 2019 New Year  January 1, 2019 The Ghosts of Long Dead Masters of Ages Past  November 11, 2018 Google Night Sight and the Importance of Photography Limitations  October 28, 2018 One Camera, One Lens, One Film: Krakow  October 14, 2018 Without Fear of Wind or Vertigo  August 20, 2018 “You have to be a little bit stupid.“  August 19, 2018 Leave Georgia Alone  August 18, 2018 One Camera, One Lens, One Film: Stockholm  August 8, 2018 Black and White Bucharest  July 18, 2018 Löwenbändiger  May 30, 2018 Bike Touring Eastern Germany  May 28, 2018 Deep into the East  May 26, 2018 Ozone Freshness  May 21, 2018 Controversial Color  May 14, 2018 Putting a Frame Around Things  May 5, 2018 The Artist in Mexico  May 4, 2018 Palm Sunday  April 26, 2018 Instant  April 12, 2018 An Open Question  April 11, 2018 Summer Here  April 9, 2018 Full Circle  April 5, 2018 Sin Mirar Atrás  April 4, 2018 Kaukokaipuu  April 4, 2018 Dark Spring  April 4, 2018 Symphony of Mexico  April 1, 2018 The Woman Who Was Robert Capa  January 5, 2018 Historical Distance  November 22, 2017 Photopoetry  September 8, 2017 Introspection  August 20, 2017 Film and File Lessons  July 16, 2017 Comandreja Time!  July 16, 2017 Writing of Quality  July 16, 2017 Hyperreality  June 22, 2017 The Poetic Image  June 12, 2017 Many Layers of Blackpool  June 11, 2017 Preston Bus Station  June 5, 2017 Donald Trump’s Horror Picture Show  May 22, 2017 El Umbral  May 11, 2017 Aura  April 19, 2017 More Real  March 29, 2017 Anterior Future  March 6, 2017 The X100F: A Review of Sorts  March 5, 2017 The Greyest Hometown  February 20, 2017 Foreshadowing  February 17, 2017 Evocation  February 17, 2017 Lost and Found  January 15, 2017 Elegy  January 15, 2017 Nothing  January 5, 2017 The Empty Streets  January 1, 2017 16 moments of 2016  December 31, 2016 An Inkling  December 27, 2016 Ten Podcast Favorites of 2016  December 21, 2016 Familiar  November 19, 2016 The Joy of a Round Photograph  November 18, 2016 Central Girders  November 15, 2016 Entropy  October 20, 2016 The Fourth Dimension  October 8, 2016 Strange and Familiar  October 7, 2016 Obsessed with Visual Pleasure  September 22, 2016 You’ll Drown Faster Than Intended  September 4, 2016 Vagabonds  September 4, 2016 No Known Copyright Restrictions  September 4, 2016 Berlin Blue  August 19, 2016 Ossastraße  August 18, 2016 Storying  August 12, 2016 Weiße Stadt  August 11, 2016 Glances  July 9, 2016 Camera Backlash  July 9, 2016  July 2, 2016 True Failure  June 9, 2016 New Vision  June 9, 2016 London  June 6, 2016 Amsterdam  June 6, 2016 A Pilgrimage  May 17, 2016 Berliner Ansichten  May 15, 2016 Where are podcasts headed?  May 11, 2016 Three Quarters of Your Mind  May 10, 2016 The Banality of Color  May 9, 2016 The Bold Stroke  May 4, 2016 Available Light  May 4, 2016 South  May 2, 2016 The Trouble with Image Rights  April 22, 2016 Sobrecompensación  April 22, 2016 Emotional Language  April 18, 2016 Lightly Comic Anecdotes  April 11, 2016 Five  April 8, 2016 Unexposed Film  March 16, 2016 The Future  March 4, 2016 Current Obsession  February 26, 2016 The Little One  February 24, 2016 Curiosities  February 24, 2016 Alone in Stockholm  February 23, 2016 Modernist Sweden  February 14, 2016 Cropper  February 12, 2016 Blue Boundary  February 12, 2016 Work  February 3, 2016 Air Head  January 25, 2016 Surrealism  January 18, 2016 15 moments of 2015  December 31, 2015 Brain-Eye Coordination  December 31, 2015  December 23, 2015 Solo  December 20, 2015 Bright lights, big city  December 20, 2015 Ten podcast favorites of 2015  December 13, 2015 Speaking in Pictures  December 4, 2015 The Triumph of the Portrait Format  November 27, 2015 Open Aperture  November 25, 2015 Por las nubes  November 15, 2015 Chulo  November 15, 2015 Jet-lag  November 11, 2015 You Can’t Take a Picture of the Northern Lights  November 3, 2015 Death to the Banana Thieves  November 2, 2015 Turf War  October 31, 2015 Introducing The Idea List  October 1, 2015 Tourist  September 29, 2015 Late Summer  September 21, 2015 Effortless  September 21, 2015 Moscow  September 15, 2015 Disorderly Order  September 15, 2015 Embalmed Grandeur  September 11, 2015 The end  August 31, 2015  August 28, 2015 Siberia on Fire  August 19, 2015 The Terror and Delight of Cyrillic  August 19, 2015 Re: Work  August 4, 2015 Train trips for the mind  August 3, 2015 Three places  August 2, 2015 Observations (2)  August 1, 2015 Keeping It Real  July 27, 2015 Warsaw  July 19, 2015 Hashtag Time Machine  July 13, 2015 #ThisIsACoup  July 13, 2015 Observations  July 9, 2015 48 Stunden Neukölln  July 1, 2015 Regrets, I’ve Had a Few  June 26, 2015 Steeping in our own realities  June 26, 2015 Female Writers  June 17, 2015 Petrichor  June 7, 2015 Feedback Loop  June 2, 2015 Eisenhüttenstadt  June 2, 2015 M  May 31, 2015 The Sun Has Teeth  May 26, 2015 Back in the USSR  May 26, 2015 The Stones of Örelid  April 16, 2015 It’s Croatia  April 14, 2015 Creativity Under Limits  April 6, 2015 Zagreb  April 5, 2015 Ruin Erotica  April 1, 2015 Celebration  March 2, 2015 Photography Isn’t Colorblind  February 25, 2015 Vicisitud  February 19, 2015 Bright  February 17, 2015 He’s Got the Look  February 3, 2015 Outside, in the Twenties  February 1, 2015 On the Surface  February 1, 2015 Soviet Glory  January 31, 2015 Silence  January 31, 2015 Berlin Blues  January 22, 2015 The Cult of Ruin  January 21, 2015 Monday night on Columbiadamm  January 19, 2015 Purple  January 18, 2015 Glimpses of Light  January 11, 2015 Lucky Luke  January 1, 2015 Candid Camera  November 26, 2014 Permanent Signal  November 10, 2014 Brands are buying your friends  October 24, 2014 Show me the ideas  October 15, 2014 Ad nauseam  September 12, 2014 Stressed  August 27, 2014 Guided  July 27, 2014 The Spaceship  March 10, 2014 The City in the Weeds  August 26, 2012 Får jag hjälper dig med vad gör gjort sa mycket?  January 31, 2011